Away

There are so many blog posts I want to write. So many Compendium entries I want to put up (and send out). So many stories waiting for my attention.

But I’m in the Lands of Dream. In the Fortunate Isles, to be specific. My journey there is almost complete, but I still need to take care of a few things.

Then you can go.

Birthdays, Teeth and Stuff

So.

  • It’s Verena’s birthday, so I won’t be working much today.
  • The Sea Will Claim Everything is almost done.
  • One of my teeth cracked yesterday, so I’ll be spending tomorrow being experimented upon by a dentist.
  • The Oneiropolis Compendium sort of got mentioned in the Guardian. We were just runners-up, but hey. Best use of felt-tip pen! The fact that I only just now noticed tells you something about how obsessively I’ve been working on The Sea Will Claim Everything.
  • I will talk about the partially-inspiring, partially-shocking election results in Greece at a later date.

 

We Are All Quite Mad Here

This is the folder containing the drawings for The Sea Will Claim Everything. It is very big.

The Sea Will Claim Everything has more images than all previous Lands of Dream games combined.

The Oath

I’m working very hard on The Sea Will Claim Everything. It’s turned out bigger, more political and more personal than I’d expected – all of which is good. A cornucopia of health problems has slowed me down, but I’m getting there. If you liked the previous Lands of Dream games then I think you’ll like this one, too. Anyway, I don’t have the strength to write anything more, so here’s an inspiring song.

The Field

I’ve probably mentioned Lord Dunsany’s The Field before, since it’s pretty much my favourite short story. I don’t think I’ve ever linked to it before, though, since good links are hard to find. Anyway, it’s in the public domain, so I thought I’d put up a version here on the site.

Also available as a PDF, since it’s impossible to get the formatting right in WordPress. Neither version is stunningly pretty or anything – I’m just putting this up so I can link to it when I need to, and so you can read it. Which you should.

Cat Scan

I was scanning some new images for The Sea Will Claim Everything when our cat walked by, and I decided that there are easier ways of creating cat-based art than murder and handbaggification. Note the extra leg, which only becomes visible under special circumstances.

Serious Modern Artists

I don’t normally repost every damn comment I write on some blog, but this is one discussion that I may come back to at some point in the future (if only as an example of what’s wrong with the world), so I might as well.

So, in the Guardian’s generally quite admirable “Comment is free” section, an artist called Tinkebell writes about the hatemail she got after an art project that involved killing her supposedly sick cat and turning it into a handbag. She then took the pages and pages of hatemail that she got, looked up the private information of the people who sent it, and turned it all into a book.

My response:

The major imperialist powers are fighting wars against small nations, our economic system is collapsing, countries are being sold to corporations by greedy politicians, democratic values are going out the window, the planet is suffering catastrophic climate change… and you turn a cat into a handbag and call yourself an artist? And then you mine other people’s data, not to defend yourself, but to turn into a book and make money with?

Oh, and your personal insults (she was fat! he was an amateur! they watch horror movies!) are at least as pathetic as the messages you are complaining about. In fact they are rather telling about how serious you are as an individual; unable to respond with reason, you resort to name-calling.

Publishing private data as you did, incidentally, is far worse than threatening someone – it is taking an active step towards making it possible for that person to be harmed. Publishing pictures of their houses? People have gone to prison for that sort of thing.

You said you wanted to “launch a discussion about hypocrisy” – well, you’ve managed to do so by being more hypocritical than all the people you criticize put together. I’m sure you tell yourself that everyone who disagrees with you is a violent, uneducated fool who cannot appreciate the high art you create. The truth is you’re simply a sad, untalented individual with delusions of grandeur, incapable of creating art that touches or transforms, instead resorting to the lowest of shock tactics to get some attention. You’re not alone in this, of course, since the advent of postmodernism has allowed a remarkable number of artistically incapable individuals to make a grab for fame by using its absurd tenets to justify their incompetent, grotesque and ultimately meaningless works as being radical, original, or thought-provoking, when in fact they are none of the above. You can try to disguise the crassness and shallowness of your work with airy claims about provoking discussion and breaking taboos, but the obvious fact remains that it is crass and shallow and intended only to get you attention.

I don’t want you to die, by the way, and this is not a death threat. I do want to fight you, though – in a metaphorical sense. I want to fight for a world in which self-important, passive-aggressive pseudo-artists like yourself don’t inspire anger, but laughter and ridicule, as they should. After all, what did you do? Did you paint the Sistine Chapel? Did you sculpt the Venus de Milo? Did you challenge the fundamentals of our society like a revolutionary, did you cast down hypocrisy with the fire of a prophet? No, you turned a cat into a handbag. You’re not an artist, you’re the parody of an artist from a Monty Python sketch.

(My username is my actual name, and I am a professional writer and game designer. My contempt for you is in no way anonymous. Of course you’d probably argue that games aren’t art and I’m not a professional because I haven’t killed any cats lately. Right before John Cleese would show up to announce it’s time for the next sketch.)

I have an urge to say more, to write pages and pages about the hypocrisy and false seriousness of all this, but I think I need to get back to work. Actual art requires dedication and hard work, not publicity stunts.

Free Traitor Soundtrack

Due to popular request, Chris Davis has briefly made the music of Traitor available for download – including some unreleased tracks. You can grab the music here. Go!

Nine Years

In August I will have been in Germany for nine years now.

Nine years. Nine years! Niiiiine! Years!

Seriously, though. Nine years. What the hell.

I did not come to Germany intending to stay. It was the easiest place to go, since I couldn’t remain in Greece (because the Greek state does not recognize my Abitur; punishment for going to the German School of Thessaloniki) and I had relatives here. I ended up in Frankfurt more or less by accident, though the universities I applied to were all in Hessen, the state my mother is from. I obviously don’t regret that, since it is here that I met my wife. And I did want to leave home. I’ve always wanted to be independent, to live life my own way. My one recurring nightmare is about being forced to go back to school.

I didn’t mind coming here. But I also didn’t want to stay. I always thought of Frankfurt as an intermediate stop; I imagined I would end up in Britain, or perhaps America. English, after all, is my primary creative language and my general language of choice (though I deeply love Greek). German, on the other hand, despite being one of my native languages, doesn’t do much for me. German culture doesn’t particularly appeal to me. My favourite piece of German culture is Gothic II. I’ll leave my analysis of German cultural issues for another day – the point is that I don’t feel personally connected to any of it. Tennyson can make me weep, but Goethe puts me to sleep, and let’s not even talk about Schiller. There is no German equivalent of William Blake. I am very impressed by Gothic II, but it doesn’t quite make up for everything that is lacking. I think what bothers me most is the lack of passion, healthy revolutionary tradition-defying passion.

Anyway. Given all that, I did not expect to be here after nine years. I don’t blame anyone – at least not any individuals. The increasingly bad economic conditions are making things much harder, though. It’s much harder these days to get published. The fiction market has changed radically. The takeover of all creative industries by manager types is also a big part of that, with the focus having shifted completely to profit and finding the next megahit. (There was a time when the great publishers and studio bosses, while definitely being capitalists, were also proud of their cultural contributions and invested in projects that they knew wouldn’t make millions.)

In the arrogance and optimism of youth, I thought that by now I would be a published writer and a working filmmaker, even if only on a very small scale. I did not think that after nine years I would still be in Frankfurt, struggling to keep a roof over my head, only just now starting to make some real headway. I knew that it could happen, I just didn’t think that it would happen. And I guess that though I fully expected the economic changes that we are now witnessing, I had not anticipated how much it would affect my creativity. The reason that I haven’t finished my novel, that I haven’t sent my screenplay out to any agents, though the feedback for both has been tremendously positive… is time. If the cost of living hadn’t risen by such absurd amounts, I could have had the time to work on all these things. As it is, I have to make games pretty much 24/7. I always thought I could accomplish a lot because I’m a really hard worker and I can spend every day working on my creative projects. I did not anticipate that I wouldn’t have any time left to spend.

I also, of course, made a lot of wrong decisions. I spent either too much or too little time at university. I should either have focused all my energy on getting a degree or just immediately focused only on making art for a living, instead of spending years and years in seminars until I realized I couldn’t bear to spend another day there, until the very idea of another insipid exam set by some idiot with no qualifications and no contact with the real world would make me sick to my stomach. I regret my choices but I don’t blame myself too much; after all, I couldn’t have known. And I couldn’t have anticipated the many strange bad things that happened to me – or the many strange good things. It’s life. I may have failed in some ways, but at least I’m fighting for my dreams. And I did make all those games.

Still, yesterday was a strange day. You see, yesterday I finally got the confirmation that the Greek military now considers me a permanent resident of Germany. The Greek military would like to draft me, you see, so I can waste a year of my life playing soldier for our glorious leaders. Like all young Greek men, I’ve had that hanging over my head since I was a child. I’ve never considered actually going; I won’t give a minute of my life to fascism. But how to get away and still be allowed to return home, at least briefly? How to avoid paying the massive fee for not showing up when you’re supposed to? How to avoid being arrested the moment you enter Greece? For years my parents and I worried about this. Now it has been solved: because I have dual citizenship and work in Germany (I am officially self-employed now), I can be declared a “citizen permanently living abroad.” I can’t live in Greece, but I can visit for six months a year. One of my biggest worries of the last ten years has suddenly evaporated.

It was a peculiar feeling. Relief, but also sadness. I had never, until now, acknowledged to myself that I would be in Germany for a while longer. I always thought the current year would be the last year, that I would sell my book, or Verena hers, or we’d find some form of success that would allow us to go somewhere else – not Greece, but maybe somewhere with sunshine. Or at least somewhere where they speak English. I don’t think I’ve fully admitted it to myself even now, to be honest. To say “yes, we’ll definitely still be living here a year from” seems like admitting defeat. But I’ve been here for nine years. Permanent resident.

And I can’t go back, not to stay. Not until I’m 35 or something like that, anyway (whatever the law says by then – who knows?). When I left, I was fine with that. I loved Greece and wanted to return for the holidays and all that, but not to live. I was going to be a writer and filmmaker after all, so I would go where that would take me. Maybe even Hollywood! They could use someone with my talents there. Except of course that I’m still here, and that I never anticipated how much I would miss the sea and the landscape of my youth. I never anticipated how much I would feel the need to become involved in Greek politics, to do something, to fight. And I can’t. I’m stuck here.

I don’t mean to complain. I’m glad I don’t spend my days in an office or a supermarket. I’m glad I’m not a cog in the machine of exploitation. I’ve made games that have reached people, that have made them laugh or cry or both. I’ve entertained, I’ve pissed off. It’s all good. And I’m making progress, slowly but surely. I’m climbing out of the hole of misery that’s been the last few years.

But man, nine years. Nine years! That’s a long time.

IndieGames Interview

IndieGames.com has published an interview with me, in which I say various things with words in them. I think I was in a weird mood when I wrote some of the answers, but then lately I am constantly in a weird mood. Must be the weather. Or the deep-seated psychological misery of late capitalist society. Something like that, anyway.